Digital artist working in the space between people and technology.

From I see you as you see me (Don’t be evil)
Video, 1:53 · About the work

PRACTICE

Visual artist, freelance photographer, VJ and interactive media designer. Many hats, one essence: how we shape our world through technological development, and how that development shapes us. Lately drawn to art that lives in the moment: theatre, concerts, performance.

Projected face filling the corner of a dark gallery room

INSTALLATION, 2021

Illusion of Perfect Balance

An immersive sensory installation processing the post-factual narrative: a story that simultaneously guides and fragments over time. Weights and biases shift like tectonic plates, changing the landscape depending on perspective.

Multimedia installation. KODE 4, Bergen. With Jonatan Wejnold.

Layered wooden sculpture giving physical form to a WiFi signal

SCULPTURE SERIES, 2019

When Interference Finds Interpretation

The signals around us go unnoticed until they’re gone. The cultural implementation of technology has overtaken our cultural understanding of it. This project gives a physical body to the invisible. What would it look like if WiFi had a form?

Sculptures in layered plywood and 3D print. Shown at 36C3, the Chaos Communication Congress in Leipzig, hosted by Artes Mobiles, December 2019.

LIVE VIDEO INSTALLATION, 2022

Medium@Dusk

Through the lens of 17,000 publicly available webcams, the piece follows the twilight around the planet. A system finds open webcams and always shows the one closest to sunset or sunrise: live-transmitted, constantly generated, unfolding as it is watched.

Live generative video, TouchDesigner and Python. KP22, 9 April – 8 May 2022: one month of 24-hour uptime and 4 TB of webcam data. Shown here as a timelapse, 1:12.

Object-detection boxes over a crowd holding a Refugees Welcome banner

VIDEO, 2018

I see you as you see me (Don’t be evil)

An object-detection neural network watches a Google advert, boxing and labelling everything it recognises: the machine reading the image the way the image reads us.

Video, 1:53. Object detection, Python. Shown at various venues.

Grey histogram waveform on black

VIDEO, 2018

Operation Enduring Freedom

A histogram of Apache helicopter footage from Afghanistan.

Video, 6:00.

Screen recording of a Facebook login page with a webcam view of the artist

PERFORMANCE, 2018

2008–2018 (a social life)

Four hours of manually deleting, untagging and unsubscribing from everything on a Facebook profile.

Digital performance, 4 hours.

Black-and-white portrait of a man whose eyes and mouth have been digitally retouched away

PHOTOGRAPHY, 2018

Retouch

Portraits of men whose eyes and mouths have been digitally retouched away. The faces stay recognisable as faces, but no longer as anyone in particular.

Series of black-and-white C-prints.

Infrared photograph of a lava field where the moss glows pink

PHOTOGRAPHY, 2018

Spectrum

Digital infrared photography. Seen outside the visible spectrum, ordinary green landscapes turn pink.

C-prints.

A black screen mounted on a white wall between two studio speakers on stands

SOUND INSTALLATION, 2019

44C3

A program that senses WiFi devices and gives them a bodily sound, exploring the gap between the physical and the digital. A screen and two speakers listen for the wireless signals of phones in the room. When a device comes within range, the screen lists its address and the work answers back: “You I can hear. We resonate together. Listening to the void.”

Sound installation: screen, two speakers, custom software.

Retouch and Spectrum are part of a wider photographic practice. More photography →

ABOUT

Danish digital artist, b. 1993, based in Copenhagen.

My practice centres on the interplay between people and technology: the ways identity and technology are intertwined, and how technological advancement warps the social fabric of our time.

Photography has always been a primary medium, digital and analogue. In a time where the photographic image is ever more saturated, I try to challenge it: using a medium of documentation to make the abstract, largely invisible contemporary world concrete.

SELECTED VENUES AND PARTNERS

KODE 4, Bergen · KP22 · 36C3, Chaos Communication Congress · Artes Mobiles · DDSKS

WITH ARTIFICIAL MIND, 2025–2026

ARoS · Kunsthal Charlottenborg / CPH:DOX · Designmuseum Danmark · Medical Museion · MSU Broad Art Museum · Aveny-T

See the studio work →

EDUCATION

BFA, Fine Art, Bergen Academy of Art, 2019–2021

Multimedia Designer, Erhvervsakademiet Aarhus, 2014–2016

TOOLS

TouchDesigner · Notch · Python
Photoshop · Illustrator
Premiere Pro · Final Cut

Working on an exhibition or a collaboration?

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